‘The Old Oak’ Review: Strength, Solidarity And Resistance In A Vital, Moving Social Parable — Cannes Film Festival
What could well be Ken Loach’s final film has as much fire and fury as his debut Poor Cow did in 1967, if we discount his pioneering TV work in the run-up. The visual style hasn’t changed a great deal in the years since, but that’s because the British movie veteran, soon to turn 87, […]
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